This neo-Gothic style villa was commissioned by Luigi Volontè, who entrusted architect Soave Felice with its design. However, Felice passed away before the villa was completed.
The project was carried out by engineer Eugenio Crespi and reviewed by the Building Commission without any particular objections. The construction permit was granted in June 1911.

Villa Volontè, located in Borgolombardo, was built as part of an urban development plan initiated by Luigi Volontè, who founded the Borgolombardo district in 1925 after purchasing a vast area of land from the Litta Modignani marquises.
The land was intended for a series of cottages for workers and agricultural laborers, following a precise urban plan. Volontè’s goal was to create an infrastructure and service network benefiting the residents—a vision that Borgolombardo still maintains today with its railway station and civic services. Some of these houses, though part of Borgolombardo, face the municipality of San Donato Milanese.
The villa’s main structure was completed in the late 1920s.

Villa Volontè is a neo-Gothic style building, characterized by elegant lines and architectural charm. Next to the villa, there is a mill and a residence for laborers; these structures date back to the 18th century but were renovated in the 1930s.

The villa reflects typical neo-Gothic architectural features, drawing inspiration from medieval Gothic architecture, with pointed arches, spires, biforate windows, and rose windows. These elements give the residence a majestic and fairy-tale-like appearance.

The decoration is intricate and elaborate, featuring wooden carvings, sculptures, friezes, and stained-glass windows. The windows have leaded glass forming geometric patterns or religious representations.
The exterior is built with materials such as stone, bricks, and wood, which provide solidity and authenticity to the structure.

Unfortunately, little is known about the villa’s interior, but Luigi Volontè had a passion for artistic works, leading to the assumption that the interiors were just as fascinating. The neo-Gothic style typically includes vaulted ceilings, frescoes, carved furniture, and elaborate chandeliers.

As mentioned earlier, the garden, adorned with two stunning Japanese magnolias with pink blossoms, reflects the taste of the era and is reminiscent of English-style gardens.
This residence exudes a romantic and mysterious atmosphere, evoking a sense of nostalgia. It is an ideal place to immerse oneself in the history and art of the 19th-century Lower Milan area.